Wooohooo! I finally started the 12th century printed silk tunic project for my sweetheart!
And you find me quite excited as I was preparing for this very special project for some time now.
You might have already been wondering about all the new 12th/13th century inspired block printing stamps which I created during the last months. After finishing the last stamp we were finally able to put the new block printing stamps to good use.
Yeah, this quite special piece of medieval islamic inspired embroidery was the super secret project on which I was working on from the first day of January until our favorite SCA event – Gulf Wars – in March. And at Gulf Wars Gloria finally got introduced into the Order of the velvet Owl. Just right before the knighting ceremony of her son, my dear husband. And not a moment too soon as keeping this project secret was killing me… 😉
And surprise, surprise – I just managed to finish another 12th century dress! 🙂
Well, I admit it, I didn’t post much about my new 12th century dress project till now – only one short posting and that was all. But well, it was also just one of my “small” side projects which I took up or abandoned whenever I felt like it. “Just” some hand sewing in order to relax and to keep my hands busy…
I think it’s quite important to have small side projects like this. Projects which have no time frame or real importance and might not even work out. But projects like these can help to take one’s mind off things or provide some ease to eyes which just can’t make out any difference between the gold thread and the silk thread you are working with… Continue reading →
Todays posting about “how I made the counterpart for the 12th century neckline fastening and some other details…” brings us finally to the last progress pictures of the 12th century grey light-wool tunic project for my husband.
Well, I admit it, whenever I face a sewing or embroidery related problem, I tend to turn to my quite extensive book collection and take a look through my beloved books. In many cases one of my books offers a very good solution for my problem.
Most of the basic 12th century neckline styles – like a simple round or keyhole neckline – don’t really require any extra strengthening. Due to their lack of real stress points (round neckline) or because their only stress points get exposed to a little bit of extra tension from time to time (keyhole neckline), it is not really necessary to take extra action…
In my most recent postings I showed you my period inspiration for my husbands 12th century neckline as well as how the finished neckline looks like. And today I will tell you how to spot the stress points of your own neckline before I show you how to strengthen and secure them in my next posting.
In order to prevent problems like ripping fabric at the stress points of your neckline, I need to give you some more information about how to find the stress points of your 12th century neckline first so you can determine and strengthen them:
Well, it took a while and quite some thinking but eventually I figured the cut out and made a good fitting 12th century neckline. This part of the 12th century tunic project was definitely not easy as I also wanted to incorporate a tablet woven band I made myself. Unfortunately tablet woven bands only stretch little and make it therefore not easy to be applied along round edges… Continue reading →